Snapchat? Best MOMCHAT Ever! (Relatively Speaking)

 

by Jasu Hu
by Jasu Hu

 

KATHARINA: Where did you study all this goodly speech?

PETRUCHIO: It is extempore, from my mother-wit.

KATHARINA: A witty mother! witless else her son.

TAMING OF THE SHREW

 

Would you like to conduct better convo with your relatives?

Who wouldn’t! Conversations with a parent can be so fraught.

And here’s one reason why: Mothers make up words all the time. How do they do that? And how can you keep up with them? Either they get them brand new hot-off-the-pusses of their babies and keep a journal, or they stole them or I don’t know where they got them.

For instance, my mom always hated us kids sitting around doing nothing. Why are you sitting around like a bump on a log? Good gravy! Criminently!

Right there are three things at least I never understood. No wonder I was raised up so screwed up. Years before drones, heat-seeking mom missiles left me under a barrage of zingers.

Fathers are more about mixed messages. “I won’t die until I see you’re successful,” Dad would say. So wait, meaning that if I become a success, then you will die? Nooooo!

“You just gotta have that old confidence!” went another well-wrought Da-da-ism.  Well, um then, how do you get that?

No idea. By contrast, mothers can lead you into the most embarrassing conversations ever.

 

THE TYPING TEST

During one of our best, I was smack in the middle of a typing test in New York City, in the kind of yellowing midtown employment office where 80 wpm w/14 mistakes is kinda lousy, but in the late 1980s could still get me “temp work.”

I grabbed an empty desk and gave a call back to Detroit while waiting for the woman doing the scoring to return.

“A typing test?” Mom asked right away.

“Yeah, I know,” I said, affecting dullness, my go-to affect when feeling attacked. “A typing test. I’m 35. At 35 a typing test.”

“Did you tell them you were a writer?”

“Yes, I said to the lady: ‘I should be writing the copy for this. This Royal Typing test? Not taking it, but writing it, ha ha.’”

“I just read an article —

[I cut this part for many reasons. Moving now to later in our conversation.]

“You sound depressed.”

“Well, it’s just that, I’m already at the age pro football players retire.”

“So? You’re not married, you don’t have another mouth to feed.”

“I know. I mean I should be, but I’m not. Well at least I’m not divorced yet.”

“You’re still seeing Michelle?”

“Yes, I told her last night: I’m 35, I should be getting my kids to bed. Instead I’m still trying to get you to bed. But no, we’re not going together…no.”

“And the other one?”

“Her?”

“If that’s the one. I don’t know.”

“The other one took me to a dance concert. Well, it began as dance and then came a light show and there was some singing and a film.”

“Whaaaaa?”

“One of those new wave variety deals.  But one of the dancers had a broken leg, and the singer had laryngitis, so the dancer had to sing and the singer had to dance.”

“Oy fa voy.”

“It was okay. The film was good.”

“Now what about Melissa?”

“No, we’re not, no.”

“You’re not seeing her anymore?”

“No. Because her life is a mess right now, she says. I said what woman’s life isn’t a mess right now. With everything that’s going on.”

“Wasn’t there another woman visiting from Boston?”

“Her? No, we’re not, no. She told me she’s been having some bad luck with her Ouija Board lately.”

“You don’t say!”

“Or something. She’s been seeing this mystifying oracle, I don’t know, it’s none of my business. I said, ‘Who has time for two-minute mysteries, baby: love me.’”

“You remember what I told you?”

“That moose meat rivals the best beef?”

“What?”

“I know – love is just peer pressure when you really need it the most.”

“Your father and I would like to see you…you know.”

“Sure I wanna be married; it would improve my social life! That’s like asking why do I trample on the environment? Because-the-guy-before-me-did! That’s why anyone gets married.”

“Well, your father and I –”

“No, I do. I wanna make my kids laugh. I want them to make me laugh.”

“So?”

“So everybody I know is either getting married, breaking up, having a baby, or dying.”

“Welcome to my world, that’s called being an adult.”

“Thank you! I wondered what that was supposed to feel like.”

“And wasn’t there one from last summer?”

“Her? No, we’re not, no.”

“Mindy?”

“I mean, we were, but now we’re not.”

“Not even seeing each other?”

“But that’s the great thing about voice mail: you don’t wanna see each other but you can pretend to still be talking. She leaves voicemails she says, just to put her voice into my energy field. ”

“Go on!”

“It’s like getting messages from another dimension.”

“Better than a poke in the eye from a sharp stick.”

“The last time with her she said she had to laugh to keep from throwing up.”

“Go on!”

“Remember the one who told me that before I met her I could barely butter bread?”

“No.”

“She told me for a guy who claimed to have his head in the game, I sure had it up my ass half the time.”

“The therapist?”

“Like, I couldn’t even look at her anymore without feeling I was sexually harassing her. So no, we’re not, no.”

“So go no.”

“So now you know.”

“Good gravy. Well, thanks for calling. You could call more often.”

“I’ve been trying to. You’re never home. Get your answering machine fixed, we’ll talk. Bye Mom – ”

[CLICK]

Decent convo but I get no closure because my mother just hangs up. She got that from her father, a member of Generation I from a time when a phone call wasn’t anything like a real conversation consisting of greetings and farewells. A phone call back then was an event! Witness this 1904 scene from the MGM musical, MEET ME IN ST. LOUIS *

Years before “Let the machine get it.” Before phone conversations became interruptions because a call bothers you in the middle of everything going on right then in your life. (Mostly texting.)

Five Questions For Folk Journalists

Do you have conversations with family members face-to-face?

How long do these exchanges last?

What would improve your conversations?

At what age did you have your best conversations with a parent?

Did your father or mother have any “catch phrases” passed on to your siblings?

Activity

Want more fun connection with beloved family members? Try some phrases/trite truisms a parent particularly pulled out for no rhyme and very little reason. (References from the ’50s and ’60s are all fair use, public domain and publically-domiciled cultural fodder.)

“Hey, there she is, the People’s Choice!”*

“Hello Old Timer!”

“Good Gravy!”

“It’s all grist for the mill.”

“Christ on a bicycle!”

Bonus! Another Excellent Mom Convo

Seattle Seahawks quarterback Russell Wilson recalled a childhood conversation with his mother. She wanted him to understand that becoming a world-class athlete was not as far-fetched as he thought. She said Russell should ask himself: “Why not me?”

 

* In MEET ME IN ST. LOUIS, starring Judy Garland and written by Irving Brecher and Fred Finkelhoffe, a phone call took an appointment to arrange. And a family to listen in.

 

There’s less cleaning up afterwards.

Kurt Vonnegut on why he preferred laughing to crying.

 

 

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WITCRAFT: How to Blow Up Any Conversation *and get the heck out

Men of all sorts take a pride to gird at me:

the brain of this foolish-compounded clay, man, is not

able to invent anything that tends to laughter, more

than I invent or is invented on me: I am not only

witty in myself, but the cause that wit is in other

men.  

Sir John Falstaff in Henry IV Part II

                                                                                                                             

Wit shall not go unrewarded while I am king of this  country.  

Stephano in The Tempest

 

Is it true you run a chain of brothels from coast to coast?

Groucho Marx in West Virginia to a hotel clerk

 

%22Listening%22 to Groucho's advice in 1939
Brecher & Marx in 1937 or 8

 

Standing around at a New Year’s Eve celebration, sitting at a dinner party, cornered in a club stuck with someone with a story that you have zero interest in.

How did/do you handle it?

How about when somebody is just jaw-jacking about anything, but in a way that no matter how meandering still achieves a certain story-like wonderful roundness? And it is being fed to you in a way that you get?

You’re not in the Twilight Zone. Rather, you’ve just stepped inside a conversation containing witcraft. 

This is where allasudden you feel “a flash of lightening” — this, according to musician/actor/humorist and raconteur Oscar Levant (ask your great grandmother or her new boyfriend) — how he described verbal humor. In one of his memoirs – he wrote at least three— called, “The Unimportance of Being Oscar,” Levant says that when Groucho Marx and S.J. Perelman were asked who was the fastest wit around, this is what they told English critic, Kenneth Tynan: “George S. Kaufman, Oscar Levant and screenwriter Irving Brecher.”

This was 1954. Kaufman and Perelman wrote movies for the Marx Brothers in the 1930s. And so did Brecher.  I spent six years with Irv “the Nerve” (as Harpo Marx called him) in the 2000s as we worked on his memoirs, detailing his friendships with and writings for Groucho, Harpo and Chico, Milton Berle, Jack Benny and George Burns, among others. Hanging out with Irv, I bore witness (never bored!) to his comedic gifts and takes and I’ve considered him my droll model ever since. Look, how rapt:

 

Hank watches Irv sing %22Hello I must be going%22 at the AERO 037
Brecher in conversation after screening one of his Marx Bros movies in 2005

 

Witcraft.  Irving Brecher proved a master at this, meaning he was funny as hell in magically getting out of conversations that he found dull or annoying or that asked him for money like those talking snake oil salesmen/TV pitchmen and blowhards out of all proportions.

Remember Jerry Seinfeld’s surefire way of dismissing them?

(JERRY ANSWERS PHONE; IT’S A GUY WHO WANTS HIM TO SWITCH LONG DISTANCE TELEPHONE SERVICES)

SEINFELD: Oh gee I can’t talk now, why don’t you give me your home number and I’ll call you later?

CALLER: I’m sorry we’re not allowed to do that.

SEINFELD: I guess you don’t want people calling you at home.

CALLER: No.

JERRY: Well now you know how I feel. (HANGS UP)

https://www.youtube.com/watch?v=hllDWSbuDsQ

 

hank&irv on stage at AERO 051

 

Likewise, Brecher was a superbly skilled athlete making plays in the game of life.

One time visiting, I arrived at his apartment on Wilshire in Westwood right as he appeared in the middle of an important phone call. He waved me into his study with one finger on his lips, leaned into the black landline from his favorite chair, and this is what I heard:

“Before I give you the number,” Irv was saying, “I want to be sure. What’s the price of that record offer again?”

Out of the speakerphone came a male telemarketer’s voice: “It’s 19.95, sir.”

“That’s the full price then?” asked Irv.

“Plus 4.95, shipping and handling,” said the voice.

“I thought you said 19.95,” Irv barked back. “Are you taking advantage of me because I’m 92 and don’t hear too well?”

“No sir,” the voice said. “The cds are 19.95, and then 4.95 for shipping and handling.”

“That’s a little too much.”

“It was printed right on the TV screen, sir.”

“Maybe it’s printed, but I didn’t see that shipping and handling. My eyes are so bad that this morning when I woke up, I couldn’t find my hearing aid.”

“So the total would be 24.90,” the voice pushed on, missing  the gag.

“I’ll tell you what,” Irv said. “I’ll just take the shipping and handling.”

A pause. Then the voice said: “What?”

“Just bill me for the shipping and handling,” explained Irv. “Don’t send the albums. I can’t afford it.”

“You want us to bill you for shipping and handling? Without the cds? Uh,” the voice wavered. “We’ve never done that before.”

“Well, I’d rather not deal with pioneers.” Irv said. “So if you’ll excuse me.”

He pushed the button that disconnected the call and looked up.

“Pretty good, huh?” he said.

Now this was no performance put on by a master of merriment for my amusement—Irv was amusing himself. “People call them pranks,” he said. “But it’s more than that. It’s quiet outrage.”

I understood he could get mad at being bothered.

“But,” I asked. “Why don’t you just get caller i.d.?”

Said Brecher: “I’d just as soon talk to them and screw them around.”

 

COVER_PHOTO2
Chico and Harpo wonder who is this guy dressed up as Groucho. It’s Irv, AKA “Brecho!”

 

THIS JUST IN~!

I just read in Dick Cavett’s recent book Brief Encounters (Henry Holt, 2014) where Groucho was on the phone and fired back with this wittily crafted line: “Extension 4-8-2, eh? 4-8-2. Sounds like a cannibal story.”

Activity

As kids, we used to call pranks like what Irv pulled, “phony phone calls.”

“Hello? Is your refrigerator running? Ya better go catch it!”   

“Do you have Dr. Pepper in a can? Well, let him out!”

Try these at home, sure. But Brecher’s way was wicked, a nasty mastering of the deadpan. He admired Jack E. Leonard, Fred Allen’s antically addled quippage. Livewire ire, ridiculing societal conventions. The same anti-establishment attitude Irv wrote into the characters Groucho played: J. Cheever Loophole in “At the Circus” and S. Quentin Quale in “Go West.” (They even leap out of their movies and speak directly to the audience.)

Groucho’s wordplay would rip and snort through anything to do with sex and death. “Lulu Belle,” he greets a floozy in Go West’s version of Mos Eisley’s Cantina, “I didn’t recognize you standing up.”

 

Saloon in GO WEST
Harpo with a gun at the bar while his brothers look on in GO WEST saloon

Back Pocket Banter

Do you spend time with people who bore you? Why? And how do you get out of such conversations?

Can you learn something from a dull person about yourself?

Who is your most boring relative? Do you get stuck with them for long periods at family gatherings, or hide in avoidance?

If you could, who would you give a “greatest buffoon” award to?

Do you repeatedly use catch phrases in conversation, or hear other people start sentences with, “At any rate,” “To make a long story short,” “To tell you the truth,” “In other words,” etc?

Bonus Activity

Watch “My Dinner With Andre” a movie containing some of the greatest back-and-forth you ever eavesdropped into, with director Andre Gregory and writer Wallace Shawn. Enlightening stories told by two delightful and delighted friends— all of it happening in an emptying New York restaurant, featuring an ancient waiter seemingly waiting for Godot.

Bonus Back Pocket Banter

Interrupt a boring confab with a swift kick to the midsection. (Kidding!) Better to say, “Excuse me, have we met before?” And then walk away.

Wear a button that says: “You Should Get To Know Me.” This worked surprisingly well during Freshman Orientation for my college friend David Schreff, who now consults w/ Fortune 500 companies and taught the Jimmy Carter White House administration how to speed-read.

As a surefire final try: “I’m sorry but I have to go to the bathroom now that you’ve made me so excited about your_______.” (Whatever that person was droning about)

When All Else Fails: As Catherine Blythe writes with resignation, “Be kind to the bore (one day he could be you)” (pg. 142)

http://www.amazon.com/The-Art-Conversation-Neglected-Pleasure/dp/1592404979

Bonus Bonus

Irv Brecher made the English language funny – what’s better than that? And one of the funniest and timeless of conversations is called, “The Two Thousand Year Old Man,” with Mel Brooks and Carl Reiner.

Reporter: What language did you speak two thousand years ago?

Two Thousand Year Old Man: Uhh…basically, Rock. Rock talk.

Reporter: What’s that –

Two Thousand Year Old Man: Uhh…hey put that rock down. Don’t throw that rock at me!

Four minutes worth of the 2000 Year Old Man: 

https://www.youtube.com/watch?v=XOTKDgrdvdg

 

Well friends, I can almost hear Sinatra singing…

It’s such an ancient pitch
But one that I’d never switch
‘Cause there’s no nicer wit(ch) than you

“Witchcraft.” http://www.metrolyrics.com/witchcraft-lyrics-frank-sinatra.html

 

So until next time, remember:

Against the assault of laughter, nothing can stand.   Mark Twain

Talisman Irv
I always keep Irv close

Here’s a link to more Irving Brecher stories:

https://www.google.com/?gws_rd=ssl#q=irving+brecher

 

Dick Cavett’s recent book with some Groucho memories:

http://us.macmillan.com/briefencounters/dickcavett

 

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Building Better Mouth Raps

Technology has replaced culture. But people haven’t noticed it’s gone yet.  

Exene Cervenka of the band X

 

Interviewing red carpet style
Interviewing a great screenwriter red carpet style

 

Ready to roll? Ready to roll your tongue and take WalkyTalky as your battle-blasted tool kit (at least five tools, in case MLB is interested)? My aim is to arm you with effective verbal lines of attack and retreat so that the amazing back-and-forth which makes conversations worth conducting in the first place, will feature you at your dazzling best.

Ready to play? Make a play? Be a playmaker?

As a folk journalist, I’ve always needed the quick and lively turns of phrase to help connect with folks I meet out in that non-stop networked-up world of there-aint-no-stopping-them-now big broadcast bluster. Whew, right? I’m hoping that WT.US* can likewise put a charge into your own back-and-forth badinage and b.s.

How?

First by employing sentences to power up yours and mine’s ancient art of conversation piece into a rebooting re-beautification project. You know how hard it is, right, you find yourself on line or off the cuff, negotiating your way through today’s hypestertextual state of the art conversationals that Say whaaaaa?

A failed state, alas. But here’s when it hit me: I was nursing another of those fabulous nitrogen-tapped cold brew on draft (heavy on the yak butter) nespressos at Open Latte. You know the joint, located on the border between Santa Monica and the rest of the continent.

And suddenly I realized: We live in incredible times.

The lesson is how to live them?  By getting busy, hurry hurry hurrying to turn this crazy life into lively conversation? Let’s get our Convo on, etc?

Well, as it turns out, one of the best ways to do that, is by Slowwwing down.

I was having a conversation with my grandfather. He’d just turned 100. I tried to impress him by dropping some Shakespeare.

“Time is of the essence. Isn’t that right, Papa John?”

“Maybe time is the essence,” Papa John replied.

 

Next: A Learner’s Permit For Life!

 

WTUS not affiliated with any radio stations, yet.

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